Back to Black: The Brilliance of the Broken-Hearted
By Brian Bowers
Artists seem to exemplify contradiction and paradox. The beautiful, the ugly.
The order amidst chaos. Born drenched in love, yet living broken-hearted.
Art
and creative passion: an intangible love.
My 1st year in college, I was on my bed listening to Donny Hathaway forecast his evolution as an artist. It left me tremendously inspired. I remember sitting up wondering what happened to him. In his music, I’d found shattered reflections of myself. But when I actually read what had happened to Donny Hathaway, I broke down and I wept. To be an artist and to bare one’s soul is not for the faint at heart. My mother keeps a fortune cookie on her console that says, “there is more to genius, than being a genius.”
Couldn’t have said it better myself.
If misery loves company, what is to be said of the soul stirring genius? While many focus on the late Amy Winehouse as a singular figure, something is to be said about the larger framework of tragic brilliance she is a part of. Her passing has truly affected me as greatly as the death of any lovely artist that touched my life. Like so many others, it is as if her brilliance was swallowed by the flow of life itself and ultimately, she was lost in the current. Janis Joplin, Jim Morrison, Kurt Cobain, Jimi Hendrix and now Amy Winehouse—all dead at the age of 27.
The struggle of the artist is a peculiar one that doesn’t always end in tragedy. But when it does, I find it so strange that one person’s pain becomes another’s pleasure. It almost seems unfair and bizarre, really. With tears and a smile, many artists wrestle with demons that seem too great to bear. With that being said, it is pretty clear that the price of genius is as high as it has ever been. And after the shows, the fawning, and the adulation and of course the scathing reviews, the artist is left footing the bill. Perhaps Lynn Crosbie (article here) stated it best:
Geniuses, however, were not put on this Earth in order to function like well-oiled machines for our pleasure. Geniuses, like Amy Winehouse, are tormented most often by having to feel and think more deeply and differently than others.
A friend once told me that “every gift can be a curse,” and perhaps this true. Something is irresistibly beautiful about a sensitive soul gifted with expression. It is almost as if Artists have two hearts. One, we will wear on our sleeve with pride (and sometimes shame, admittedly). The second, well God only knows where you’ll find it. Maybe a stroke on the canvas or a chord with a flat 5. The strength of a plié or the flash of a camera. Perhaps even scattered through a few lines of prose. Sometimes healing, broken or bruised, that heart still beats on with intensity and passion.
I always know a great artist by how they make me feel, don’t you? Even when they are descending and falling from their peak, it seems so noteworthy and…well, artistic. That stumble, full of grace. That missed note, Avant Garde. That breakdown, it seemed like a breakthrough. Always the edge of something, the public thrives on the suspense. Sometimes artists are on the verge of something magnificent. Sadly, sometimes they are not.
I sincerely bid Amy farewell and I am grateful for her contribution to music. I remember discovering her in college and forcing her music down the throats of everyone I knew while shouting “she’s going to be big.” And didn’t she take the world by storm!
As a young artist, I am sad to see another brilliant, blossoming creative lost. Artists can have great understanding for one another, especially during times like this. Many times, our inner worlds can seem so familiar, despite how things appear. In hostile industries that commerce art at the expense of all, many wind up feeling alone and alienated. Once again, we are left with a few hours of timeless music that gives us a glimpse into the sometimes dark inner world of a broken-hearted soul looking to maintain in this existence. I don’t care how much of a mess people feel she was. I don’t care how many albums she had either. In the words of the incomparabable Nina Simone, that “…ain’t got nothing to do with nothing except show business, and I’m not about show business.” In the end, the art is what matters. And what exquisite art we have that will continue to live on.
How the Grinch Stole Christmas! The Musical!

By Brian Bowers
I’ve not encountered many adults who can’t recall the first time they learned of the Grinch. To be honest with you, I wasn’t completely impressed with him and his scheming. But, if you happen to be looking to continue the tradition of spreading the story of the Grinch and his Christmas antics, Theatre Under The Stars has a treat from you.
Starting November 24th and running through December 5th, “Dr Seuss’ How the Grinch Stole Christmas! The Musical!” will come to life on stage. With a lively set, great music, the production has all the ingredients for a great holiday show! To get more information on the performance schedule, playbill and tickets click here
MFA Houston Presents Lecture on Ancient Egypt
By Brian Bowers
It goes without mention that the world has always been and always will be fascinated with Egyptian culture. From pop culture references, to the endless scholastic endeavors, the Egyptians historically and contemporarily are ever-present in the popular imagination. On November 19th and 20th, the Museum of Fine Arts Houston will be presenting a lecture entitled Why Mummify? Egyptian Religion, Medical Theory and the Funery Arts.
Dr. Robert Ritner, Professor of Egyptology at The Oriental Institute, Department of Near Eastern Languages and Civilizations, Program on the Ancient Mediterranean World in the Department of Classics, and in the College, The University of Chicago will present the fascinating lecture. Exploring classic religious concepts such as Osiris & Anubis, it will highlight ideas about death and the role mummification played in Egyptian mythology. The belief is that the combination of medicine and mythology contributed to the widespread practice of mummification as part of Ancient Egyptian rituals.
The lecture will be free with regular museum admission and is open to the public. You can attend Friday, November 19, at 1:30 p.m. or Saturday, November 20, at 4:00 p.m. in the Caroline Wiess Law Building. To get more information on the lecture, click here.
Artist Spotlight: KIMBRA
By Brian Bowers
“Interesting” was the first word I thought when the video of Kimbra began playing. A friend of mine posted a link online. She’s pretty smart and has a great taste in music, so I figured I’d give it a go. As the video started up, I was suddenly fascinated by what began to unfold and the interest continued to build.
There was something peculiar about her style, her performance, lyricism and even the way she moved. Her hands stretched before her and with dole-eyes slightly glazed, she worked magic as she conjured the music up from thin air. The song was ‘Good Intent’ live at Sing Song Studios. After the video ended, the only other word I could think of to describe this unique artist was “committed.”
Oftentimes, when listening to artists nowadays, you get a variety of extremes. Musicians are seemingly disconnected to the repetitious melodies of underwhelming music that they struggle to express, much less impress. Then of course, there are those who we find lost in wild histrionics that are bewildering and leave you wondering just what it all meant. There is something different about Kimbra and I believe she could very well be on the verge of something great as she emerges on the global music scene. So who is she?
Kimbra, is a Kiwi singer/songwriter from Melbourne and is only 20 years old. She lists Nina Simone as one of her inspirations, and I definitely see the rebellion and audacity in her that reminds me of Nina in a sense. Nothing is more exciting than witnessing an artist that has music and a performance that fully embraces and envelopes you. The art has a way of commanding you to pay attention at one moment and then gently requests it of you the next. These are the great ones that truly let go in a way that makes you want to let go too—even if for a little while.
Settle Down, the first single from her upcoming album Vows, has a catchy melody carried by an interesting vocal arrangement paired with deeply personal lyrics. Her live performance of the song at Sing Song Studios is almost better than the original, in my humble opinion. In her eyes you get to experience the intensity and passion brought to life with a live band of equally passionate musicians.
I wanna settle down
I wanna settle down
Baby there’s no need to run
I’ll love you well
I wanna settle down
It’s time to bring you down
On just one knee for now
Lets make our vows.
With such compelling lyrics, its clear Kimbra has the soul of a poet that makes for a provocative songwriter. In this way, she reminds me of Corinne Bailey Rae with a beautiful sensitivity delivered with an aggressive edge. Her vocal style is very deliberate, but it isn’t overwhelming, or pushed because it just flows. Her welcoming demeanor allows her to seamlessly blend soul, pop, accapella, jazz in way that is refreshing and clear. If you want to check her out, see the myspace page here and her youtube channel here—gotta love the digital age. Of course we could go on about this great artist, but she is one you definitely should check out for yourself. The album Vows is expected to be released early 2011.
Playing Around: Microsoft Kinect

By Brian Bowers
This officially makes the second post about gaming from a person who has claimed not to be a ‘real gamer.’ And at this rate, it will soon seem as if I am actually a ‘real gamer’ and entertainment console aficionado! Mabye not, but wishful thinking! (Note: the discless Netflix streaming ability on the PS3 we told you all about—it is FANTASTIC) In any case, recently I caught wind of Microsoft’s latest brainchild Kinect. Currently, the new technology seems poised to further revolutionize the world of gaming and entertainment consoles.
With such developments happening, it seems it will be only a matter of time before we began seeing completely immersive gaming technology. It’s been predicted before that eventually the entire entertainment realm will be a true virtual reality that one can take part in. A fantastical experience machine, if you will.
Kinect is the new development from Microsoft that connects with the X-Box 360 to provide an interactive and physical involvement while playing. Pairing a camera with infrared technology, body movements, joints and other actions are detected almost in real time. This added feature to the X-Box places it in direct competition with the Wii, a system that has long since allowed for this sort of interactive gaming experience.
It is very interesting to watch the development of entertainment technology, specifically games. Soon the days of viewing gaming as ‘lazy’ or ‘uninvolved’ will be long gone. I’m sure this ‘sort of technology’ will bring equal portions of delight and upset from the public. I personally can’t imagine kicking around in a small apartment or trying to ‘act-out’ some complex martial arts maneuver. But perhaps I’m thinking a bit far ahead, but I’ll definitely be keeping my eyes out for such systems to see how they go. But for those who really want to ‘get into the game’ you are almost there. Read more about Kinect here .
New Netflix App Makes for Discless Streaming
By Brian Bowers
Disclaimer: I am not a ‘real’ gamer. That rhymes, how nice. I’m a poet and didn’t know it! But pressing onward. I enjoy entertainment and gaming consoles. Particular their media and streaming capabilities. They can serve multiple functions.
Considering these things, there are a number of reasons X-Box 360 users have claimed the system is superior to the Wii or PS3. Luckily for all of us, we don’t have enough time to go through them all. Nor do we want to stir debate! When shopping for my own console, one of my main concerns was streaming capabilities, namely Netflix. There are number of top brand BlueRay players that have this capability, but I was set on a gaming console and after much thought I decided to get the PS3.
But, in order to stream Netflix on your PS3 you needed a nice little disc. This was definitely one of the number one complaints I read about the PS3′s from those who try to fully maximize its features I mean, when you are comfortable on your couch, do you really want to get up and take out the game and put the disc in!?!? Of course not! Honestly, it wasn’t ‘that’ serious for me, but I completely understand the sentiment.
It is now official: Wii and PS3 users no longer have to use the Netflix disc with the latest Netflix app/upgrade! In addition to the update, users will benefit from 1080p HD streams, subtitles and 5.1 Dolby as well–with select films! Another disclaimer: I’m not sure whether or not you have to have a ‘newer PS3′ to benefit from this upgrade. If yours does not work, don’t blame Hypursuit! We are just telling you what the press releases say!
Although I’ve yet to try this specific feature out (my AT&T Uverse isn’t going to be set up until this coming Tues), it is nice to know I’ll be smooth sailing…hopefully. Though there are complaints about the user interface, queue issues…etc, many users hope these are kinks that will soon be worked out. There you go, and if you didn’t know, now you know! I’m sure a follow-up review is coming soon…
The [R]evolution of Bilal: Airtight’s Revenge
By Brian Bowers
It’s been 9 years since Bilal Sayeed Oliver released his debut album 1st Born Second. The follow-up album Love for Sale, though regarded by many as some of his greatest work, was never officially released due to label issues and a
devastating leak online. On September 6, 2010 the singer officially released his second studio album via Plug Research, an independent label based in LA.
Titled Airtight’s Revenge, the album gives us characterstic Bilal with thoughtful lyrics painted on a musical canvas some have called “alternative soul.” Regardless of the genre or style Bilal is simply in his own lane and his music stands alone. To say he has changed would be to minimalize the evolution he has taken artistically. He has grown, matured and he has evolved.
Most of the production is credited to Bilal himself along with Steve McKie, Shafiq Husayn, Conley Whitfield and 88-Keys. The album is really a mélange of ‘retro’ sounds, styles and motifs fused together that create a soundscape that is wonderful and refreshing. On some of the tracks, the melodies draw from a free structure and give a sense of wandering and winding—that is meant in a good way.
A skillful songwriter and master of expression, there is a flow and vibe that makes it all cohesive both in terms of content and style. As the age old adage says, “not all who wander are lost,” and with his latest release he seems to know exactly where he wants to go artistically.
Track listing and Cover for Airtight’s Revenge
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1. Cake & Eat It Too 2. Restart 3. All Matter 4. Flying 5. Levels 6. Little One 7. Move On 8. Robots 9. The Dollar 10. Who Are You 11. Think It Over
Standout tracks on the album include Think It Over, Cake & Eat it Too, Little One and definitely Who Are You. On Who You Are Bilal contemplates identity, human behavior and blatantly asks the question throughout the song in a way that lingers with the listener. The artist opens the song by gently conversing with the listener:
Ever told you about the boy, who said he was a Virgo, he walked around doing every little thing he thought a Virgo does. Until he read in the paper, that he might be a Leo, so he started acting out on every little thing he thought a Leo should.
Ever the storyteller, the album certainl Dark and deeply personal, Airtight’s Revenge shows Bilal at his best. All of his work shows a vulnerability and openness that you don’t find too often in today’s complex music industry. He is Bilal, and he is Bilal unabshedly. He bares his soul shamlessly with an effortless lyricism and the conviction that strikes to the core with precision. On the whole, the album is pretty solid and is definitely a good listen for those who enjoy him as an artist and progressive music. In Airtight’s Revenge, we gain insight in to the complex but purposeful evolution of man who is a brilliant artist, but very much human in every sense of the word.
Restaurant Review: Gluten Free Houston
By Brian Bowers
After becoming gluten-free a few years ago, a steep learning curve was experienced trying to find inexpensive, gluten-free solutions. This past weekend, the quest to find gluten-free options in Houston continued and my first stop was Gluten Free Houston—a local bakery located on the West Side that caters to Celiac sufferers or those who have gluten sensitivity (read more about gluten sensitivity here).
After browsing online for sometime, I found out this quaint bakery tucked away on Wirt road right off of I-10. The website proudly displayed a posting for their Saturday bake sale from 8:00 A.M. to 1 P.M., which was worth waking up for. I crawled out of bed early Saturday, and made the trek. I almost passed it up twice before I finally made my way into the parking lot and embraced myself for delight.
Stepping foot in the door, I could smell the cinnamon and sweetness of the snicker doodles—I was definitely looking for those. You don’t know how bad your sweet tooth really is until you can’t eat the things you love. This was my lucky day. Before I got carried away by their scent, I saw the sourdough bread, lasagna and then a layered tray of red velvet, Italian cream and carrot cake cupcakes in the distance. They were free, and I indulged myself in them. And they were GREAT. After buying cookies a few other things (which I consumed before the end of the weekend), they even let me take a couple for the road. Score!
While the prices of items at this bakery aren’t dirt cheap, you definitely get what you pay for. For those who have Celiac or are allergic to gluten, you know first hand that eating goods that cost a little more to stay healthy is a minor sacrifice. Luckily, major mainstream brands are catching on to the profitability of making cost effective gluten-free items for those who have such sensitivities and allergies. Until then, if you are in Houston and you are looking for tasty gluten-free treats, be sure to drop by Gluten Free Houston.
1014 Wirt Rd., Suite 230, Houston, Texas 77055
713.784.7122
Website: www.glutenfreehouston.com/
Richard Misrach’s After Katrina

By Brian Bowers
It’s fairly clear that the events of Katrina will not soon be forgotten. The images of public outcry, depravity and suffering will remain readily accessibly in our visual and cultural memory for generations to come. If you haven’t heard of the name Richard Misrach, it should definitely be one you will remember. At The Museum of Fine Arts Houston, a moving exhibition entitled After Katrina has been on display since August and will end on Sunday October 31, 2010 at Audrey Beck Building.
The compelling exhibition features messages and sentiments left in the aftermath of Katrina. Misrach successfully unveils the expressions of anger, pain, fear and loss hidden beneath the wreckage and horror. The work undoubtedly showcases the skillful eye of a seasoned visual artist able to bring to life the full extent of Katrina’s devastation through static images that are beyond moving.
If you want to take a look at some of his previous work you can take a look at this link here . If you’d like more information on the exhibition or to purchase tickets, try the MFAH website here or call (713) 639-7300.

