Fusicology Presents “What Is Good Music” Spring 2011 Compilation
With all the riff raff clogging the radio and online audio airwaves we couldn’t be more happier to see a project like this come to life!
What Is Good Music is a new streaming audio compilation compiled by Fusicology.com.
This compilation is free when you sign up here and tracks can be streamed – support independent music!
Hed Kandi Presents ‘Twisted Disco’ 2011
Check out Hed Kandi’s ‘ Darker Side of House’. A 2CD Mix featuring tracks and remixes from: Eric Prydz, Swedish House Mafia, Steve Angello, Deadmau5, Tiësto, Wolfgang Gartner, Magnetic Man, Mark Knight,Tiga, Chuckie, Dirty South and more. Available January 24th at Hed Kandi.
Tinie Tempah Debuts US Mixtape
Tinie Tempah has released a free mixtape in the US. The ‘Written In The Stars’ rapper, who has scored two number one singles and a chart-topping debut album, premiered the mix on DJ Whoo Kid’s radio show in the States. The DJ, who hosts on Tempah’s recording, has also featured on mixtapes for Jay-Z, Snoop Dogg, G-Unit and Eminem.
Artist Spotlight: KIMBRA
By Brian Bowers
“Interesting” was the first word I thought when the video of Kimbra began playing. A friend of mine posted a link online. She’s pretty smart and has a great taste in music, so I figured I’d give it a go. As the video started up, I was suddenly fascinated by what began to unfold and the interest continued to build.
There was something peculiar about her style, her performance, lyricism and even the way she moved. Her hands stretched before her and with dole-eyes slightly glazed, she worked magic as she conjured the music up from thin air. The song was ‘Good Intent’ live at Sing Song Studios. After the video ended, the only other word I could think of to describe this unique artist was “committed.”
Oftentimes, when listening to artists nowadays, you get a variety of extremes. Musicians are seemingly disconnected to the repetitious melodies of underwhelming music that they struggle to express, much less impress. Then of course, there are those who we find lost in wild histrionics that are bewildering and leave you wondering just what it all meant. There is something different about Kimbra and I believe she could very well be on the verge of something great as she emerges on the global music scene. So who is she?
Kimbra, is a Kiwi singer/songwriter from Melbourne and is only 20 years old. She lists Nina Simone as one of her inspirations, and I definitely see the rebellion and audacity in her that reminds me of Nina in a sense. Nothing is more exciting than witnessing an artist that has music and a performance that fully embraces and envelopes you. The art has a way of commanding you to pay attention at one moment and then gently requests it of you the next. These are the great ones that truly let go in a way that makes you want to let go too—even if for a little while.
Settle Down, the first single from her upcoming album Vows, has a catchy melody carried by an interesting vocal arrangement paired with deeply personal lyrics. Her live performance of the song at Sing Song Studios is almost better than the original, in my humble opinion. In her eyes you get to experience the intensity and passion brought to life with a live band of equally passionate musicians.
I wanna settle down
I wanna settle down
Baby there’s no need to run
I’ll love you well
I wanna settle down
It’s time to bring you down
On just one knee for now
Lets make our vows.
With such compelling lyrics, its clear Kimbra has the soul of a poet that makes for a provocative songwriter. In this way, she reminds me of Corinne Bailey Rae with a beautiful sensitivity delivered with an aggressive edge. Her vocal style is very deliberate, but it isn’t overwhelming, or pushed because it just flows. Her welcoming demeanor allows her to seamlessly blend soul, pop, accapella, jazz in way that is refreshing and clear. If you want to check her out, see the myspace page here and her youtube channel here—gotta love the digital age. Of course we could go on about this great artist, but she is one you definitely should check out for yourself. The album Vows is expected to be released early 2011.
The [R]evolution of Bilal: Airtight’s Revenge
By Brian Bowers
It’s been 9 years since Bilal Sayeed Oliver released his debut album 1st Born Second. The follow-up album Love for Sale, though regarded by many as some of his greatest work, was never officially released due to label issues and a ![DSC 0060web The [R]evolution of Bilal: <i> Airtights Revenge </i>](http://www.plugresearch.com/wp-content/uploads/2010/09/DSC_0060web.jpg "The [R]evolution of Bilal: <i> Airtights Revenge </i>")
devastating leak online. On September 6, 2010 the singer officially released his second studio album via Plug Research, an independent label based in LA.
Titled Airtight’s Revenge, the album gives us characterstic Bilal with thoughtful lyrics painted on a musical canvas some have called “alternative soul.” Regardless of the genre or style Bilal is simply in his own lane and his music stands alone. To say he has changed would be to minimalize the evolution he has taken artistically. He has grown, matured and he has evolved.
Most of the production is credited to Bilal himself along with Steve McKie, Shafiq Husayn, Conley Whitfield and 88-Keys. The album is really a mélange of ‘retro’ sounds, styles and motifs fused together that create a soundscape that is wonderful and refreshing. On some of the tracks, the melodies draw from a free structure and give a sense of wandering and winding—that is meant in a good way.
A skillful songwriter and master of expression, there is a flow and vibe that makes it all cohesive both in terms of content and style. As the age old adage says, “not all who wander are lost,” and with his latest release he seems to know exactly where he wants to go artistically.
Track listing and Cover for Airtight’s Revenge
![bilal airtights revenge cov thumb 473xauto 6794 The [R]evolution of Bilal: <i> Airtights Revenge </i>](http://soulbounce.com/soul/assets_c/2010/07/bilal-airtights-revenge-cov-thumb-473xauto-6794.jpg "The [R]evolution of Bilal: <i> Airtights Revenge </i>")
1. Cake & Eat It Too 2. Restart 3. All Matter 4. Flying 5. Levels 6. Little One 7. Move On 8. Robots 9. The Dollar 10. Who Are You 11. Think It Over
Standout tracks on the album include Think It Over, Cake & Eat it Too, Little One and definitely Who Are You. On Who You Are Bilal contemplates identity, human behavior and blatantly asks the question throughout the song in a way that lingers with the listener. The artist opens the song by gently conversing with the listener:
Ever told you about the boy, who said he was a Virgo, he walked around doing every little thing he thought a Virgo does. Until he read in the paper, that he might be a Leo, so he started acting out on every little thing he thought a Leo should.
Ever the storyteller, the album certainl Dark and deeply personal, Airtight’s Revenge shows Bilal at his best. All of his work shows a vulnerability and openness that you don’t find too often in today’s complex music industry. He is Bilal, and he is Bilal unabshedly. He bares his soul shamlessly with an effortless lyricism and the conviction that strikes to the core with precision. On the whole, the album is pretty solid and is definitely a good listen for those who enjoy him as an artist and progressive music. In Airtight’s Revenge, we gain insight in to the complex but purposeful evolution of man who is a brilliant artist, but very much human in every sense of the word.
11:11, Rodrigo y Gabriela
By Brian Bowers
Back in high school, I vividly recall running across a quote once that stated something along the lines of “aside from silence, that which comes closest to expressing the inexpressible, is music.” It has the ability to reach the deepest parts of us as it moves us, soothes us and says everything that is beyond words. Intoxicating, hypnotic and virtuositic are a just a few words one could used to describe the sensational guitar duo Rodrigo y Gabriela. Whether in live performance or recording, when these two are joined together they create a musical force to be reckoned with. One could easily argue that the highly intimate, impassioned performances are something beyond entertainment. While the two are undoubtedly entertaining and show a level of mastery many could only wished for, on a deeper level they are communicating and conversing through the language of music in a way that is profoundly moving. Needless to say, audience and listeners alike are privied to a soulful exchange that is truly breathtaking.
In a music industry that is frequently dominated by synthesizers and electric music, it is needless to say they add a bit 
of freshness and diversity as brilliant acoustic performers. Though they aren’t the only act of this ‘genre’ they have certainly been carving their own unique place in the music industry. Since the release of the album 11:11, they’ve been setting the tour trail ablaze. Traveling all across the US, then to Zurich, London, Paris and Dublin just to name a few. In many of these cities, they have multiple tour dates. They are energetic, dedicated and they are clearly in demand. In fact, just recently, the fantastic duo performed here in Houston at the House of Blues and gave a concert that received great reviews and praise. For all of the technical prowess they demonstrate, in their music they give of themselves. They add the special “something” to a piece of music that moves it from the mind, to the heart and the spirt. That special something provides a feeling of satisfaction and nourishment at the end of a great performance. These unique qualities they possess demonstrate exactly why the demand is so great.
11:11 (first released in September 2009) is their 3rd studio effort following the 2006 release of their self-titled Rodrigo y Gabriela. The title track “11:11″ is a hauntingly gorgeous and rather mysterious piece. Characterized by infectious rhythm, the pulse is somewhat suggestive and beckons you to a place beyond where you are. The album itself is the sound of depth and passion and you can definitely listen to this cohesive work from start to finish. The effortless and fluid playing they demonstrate almost seems improvisatory. But it is clear that each song has a unique, pronounced structure that is undeniable. The seamless blend of polyrhythms, layered voices and memorable motifs are emphasized by near perfect articulations. The command they have over their music reaches straight to the core of one’s being.
The 11 theme runs through the entire album album. The title is, of course as mentioned, “11:11.” The album is comprised of 11 tracks all composed by both Rodrigo y Gabriela with John Leckie as co-producer on one of the tracks. According to their official press release, the solid album serves as a “Gracias” to music masters of the present and past that have inspired them along their path. If Rodrigo Sánchez and Gabriela Quintero continue along this path, it won’t be long before they are mentioned in the same ranks with the very masters they adore.
Click here for the video for “Hanuman!”
New Music: Have You Heard
By Brian Bowers
In the entertainment world, the ‘4th Quarter’ always seems to be the time for comeback stories, new albums and of course singles (and tons of ‘leaks’). Before you get caught up in all of the fresh sights and sounds of this season of the industry, thought it might be a good idea to give you just a few R&B/Soul standouts.
“Sometimes I Cry” Eric Benét
With the upcoming release of his 6th studio effort Lost in Time scheduled for late this year, Eric reintroduces listeners to the sounds of old school soul music. Though many artists have tried to “take it back” revisiting the sounds of the 60s and 70s, Eric truly captures the feeling of reminiscing about love lost. The finely tuned vocals are arranged masterfully over throwback sounds, transporting you to a world of depth and passion. Whether it’s the old keys or Benét accessing his falsetto, the song captures the essence of unrequited romance set to music.
“10 Seconds” Jazmine Sullivan
Often compared to Lauryn Hill, Kim Burrell and many others, the incomparable Jazmine Sullivan has been in heavy rotation everywhere recently. Following the release of her single “Holdin You Down,” the rumored follow-up single “10 Seconds” has leaked from her sophomore effort Love Me Back. The beautiful ballad features the singer’s powerful vocals and her characteristic nuances. With a theme that harkens back to the “Bust Your Windows” days of Fearless, she laments over a broken heart while warning the accused to make his exit before she “gets crazy.” Certainly all the Jazmine Sullivan fans have been scouring the internet for new music. Lets just say if you use due diligence to find “10 Seconds,” it is sure to hold you over until the official October release.
“Close to You” Ron Isley ft. Lauryn Hill
Last but not least, rounding out Have you Heard is the rendition of “Close to You” by none other than Ron Isley featuring Lauryn Hill. Following a number of personal setbacks, the famed Isley Brother had mentioned a few notables for his upcoming alum release. When the singer mentioned Lauryn Hill, many fans cried wolf. Somewhat shockingly, amidst the rumors the song leaked on to the web to great reception. Seamlesslywith a hint of magic and class, one musical generation of greatness meets the next. The depth and richness of Lauryn paired with Ron Isley’s effortless singing was a match made in heaven. This one might be hard to find folks but it’s a gem for sure. And while no new information has surfaced regarding the upcoming effort , it will be a huge success if this is any indicator. Welcome back Ronald Isley, we’ve missed you…and Lauryn too of course!
Say You’ll Go: Janelle Monae’s Archandroid
By Brian Bowers
“Better late than never,” is the age old adage. And finally after reading review, after review of Janelle Monae’s Archandroid, I had to take a listen myself. After hearing her first single from the album, Tightrope, I didn’t really know what to expect.
I’ve listened, and what I heard was a beautiful, souful orchestration of artistic expression.
Janelle Monae’s sonic journey is a wonderous experience of ecletic, free music. The overall theme of the album is large, expansive and lush. Its one of those albums you hear and you say perhaps she is not ahead of her time–she is just not of this time, and many reviews are in universal agreement. NOTE: This idea would fit in perfect with the concept of Cindi Mayweather—but just google both, and read all about the back story to understand what I mean by ‘universal’ agreement.
In all honestly, the album is quite beautiful. There are moments, when you realize just how special and uniquely talented she is. Its one of those works where years from now we will look back and say “I remember when this album started the career of a great artist” or one where we look back years from now and say “I have no clue why this album did not get the respect it deserved.” And, given the fickle nature of the industry, it can go both ways. She crosses hiphop, a little folk, pop, electronica, rock and even classical to create a sonic environment that leaves the listener feeling they have entered a space and time where expression is the rule.
Stand out tracks for the album would most definitely be the ending track “Bobopbya,” a moving song featuring beautiful orchestration, a haunting melody and compelling lyics. The listener is moved by Monae’s heartfelt vocals as she is singing, soaring and then belting over the full orchestration. On songs such as “Oh Maker” Janelle explores the topic of unrequited romance in which the lyrics says nostalgically, “I guess what I mean to say, is that its amazing your life was mine.” The lyrics are drenched and melancholy, revealing the true soul of an artist remembering love experienced, lost and gained all at once.
“The Archandroid” presents Monae in a stunning light. Initially, I compared work produced by the gorgeous singer to the art work of Monet—the French impressionist artist. After hearing her latest effort, I can confidently say that any appreciator of honest, unique music will love her up both up-close and afar. Monae’s eclectic style and uninhibited approach to music performance brings the listener and audience alike up close and personal. The beauty, elegance and style of her music are most definitely Monae. “Say You’ll Go” get “The Archandroid” today.
Music to Me: The Soul Music of Mariyo Deon
By Brian Bowers
Oftentimes, when people think of a “soul artist” they are inclined to assume that the artist is some variety of singer or vocalist. If I said an young up-and-coming rapper by the name of Mariyo Deon is a soul artist many people would think I’ve officially lost my mind. Well, I’ve said it more than once thus far, and the fact remains that that I do believe Mariyo Deon is in fact a soul artist. This is less in the sense of industry “categories” and more from this fact: his music is from his soul, his life and his experience. With a style that fuses hip-hop and R&B, his sound is the direct result of being surrounded by musicians and music. Whether it was his Grandmother directing the church choir, or his father singing on Sunday morning, he is an heir to a natural, honest musical expression that is his own.
When conversing with Mariyo about his music it becomes apparent that Mariyo is fearlessly aggressive and passionate about music and success. “Michael and I have this thing where we say good is not enough. Don’t just be good, be great. You gotta be great.” The Michael he is referring to is Michael Redmond, an impassioned future music executive who serves as Mariyo’s manager. Both seem to possess an insatiable desire for success and at this rate, it seems the two are poised to take his career to the next level.
In his blatant refusal to adhere to musical genres and expectations, he is naturally a rebel. With a diverse and eclectic musical pallette, his musical interests and experience ranges from techno, to rock, to R&B—yes, he can sing as well. “I’ve worked with artists from Canada, from England…done pop, the techno thing…all of those things I am very capable of doing and I am comfortable with. But the music I am doing right now I am great at.” Later on, he admits somewhat shyly that he is “better at rapping, good at singing…I can hold a note. It comes from being around music.” Although he cites stars such as Drake and Kanye West as influences, he also mentions musical figures such as Maroon 5 and the iconic Quincy Jones. “If it were a perfect world…if I could do a track, it would have to be a band — Maroon 5. They have a very soulful sound…not far fetched from what I am living and experiencing.”
With the advent of social media and social networking sites, the sheer volume of music released digitally is overwhelming. Many artists face difficulty trying to stand out in an oversaturated music market . Despite these challenges, Mariyo has garnered a rather large following both locally and on the web. The viral internet campaign “Who is Mariyo Deon” launched by Michael Redmond and his associates was effectively used to raise interest in the artist amongst the blogosphere and internet community. 
Most recently, Deon released “Who is Mariyo Deon,” a mixtape featuring a wide range of original music, interpretations and styles. Tackling “coming of age” issues dealing with relationships and love on songs such as “Silly Love Song” to radio friendly anthems like “Chucks,” it is a solid musical offerring. After listening to the project, the one thing that remains clear is that Mariyo is human, fluid, growing and evolving. “I work hard to improve all the time…I’ve not always made the best decisions in life, but I’ve done things that I thought were best for me at the time.” In a business of smoke and mirrors, Mariyo is determined to remain true to himself. When asked whether or not he feels pressure to conform to industry expectations of young, Black male rappers Mariyo responds “I don’t feel pressure…I don’t change anything to fit, or to be marketable. Everything I do is all real life.” “Who is Mariyo Deon” showcases the natural ability and talent of a burgeoning young artist who is coming into his own both as an artist and as a young man. “I want people to know, feel and connect to me.”
Being a recording artist is hard. There are those who enter in and change with the times while trying to “fit in.” Then there are those who come and go because of an inability to find a niche. One can only believe that Deon will last beyond both of these scenarios and find success in this industry of constant change. The fearlessness and audacity of Mariyo suggests not only is he ready and willing to sacrifice all to reach his desired level of success to reach success, but he has the follow through and passion to make it. This idea was evident when Mariyo said confidently and unabashedly, “Everything is something I have lived, its all music to me.”
Corinne Bailey Rae’s Highly Anticipated, “The Sea”
By: Brian Bowers
The smooth, sultry voiced songbird that won the world over with hit songs such as “Like a Star” and “Put Your Record On” returns to us with her sophomore effort “The Sea.” In recent interviews regarding her return, Corinne confesses during her break from the industry she was experiencing a period of tremendous loss and grieving.
The dole-eyed singer was on hiatus following the tragic loss of her husband a couple of years ago. Late 2009, however, the lead single from her newly released project entitled “I’d Do it All Again” accurately summarizes the sonic expression of a great loss, but a life and love greater than remorse and, or regret.
“The Sea” is full of a vast array of emotions, but the tone of the album is overwhelmingly seeped in the blues and retrosoul. A title apropos for a life experiences that we all can connect to as human beings navigating this experience we call living. In the words of Agnes De Mille:
“Living is a form of not being sure, not knowing what next or how. The moment you know how, you begin to die a little. The artist never entirely knows. We guess. We may be wrong, but we take leap after leap in the dark.”
Corinne’s latest work is a bold leap into heavy soul wrenching music accented by a deliberate vocal styling that is characteristically her own. This is one work that welcomes any listener looking to take a journey into the soul of an artist finding her voice and finding her way.
